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Hisense PX2-Pro | Formovie Theater | Our Thoughts: | |
Brightness | 2400 | 2800 | With bright room projectors like these every lumen counts. Because of that the Formovie Theater has an advantage with regards to projector brightness. |
Throw Ratio | 0.25:1 | 0.23:1 | Both USTs sit close to the screen but the Theater will sit a few inches closer than the PX2-Pro |
Chipset | .47" DLP | .47" DLP | Both USTs use the same smaller .47" DLP chipset. |
Light Source | RGB Triple Laser | ALPD® 4.0 RGB+ Triple Laser | Both have true RGB triple laser light engines, but Formovie includes ALPD 4.0 technology that offers deep black levels. |
Color | 107% BT.2020 | 107% BT.2020 | Both laser TVs offer an incredibly wide color gamut. |
Contrast Ratio | 1200:1 | 3333:1 | The Formovie Theater beats the PX2-Pro with some of the best contrast found on any UST projector. |
Image Size | 90 to 130 inches | 80 to 150 inches | With a much wider screen size range the Formovie gets a large advantage (pun intended). |
Input Lag | 4K/60Hz: 38.1ms | 4K/60Hz: 43ms | Both offer decently low lag times and the Hisense 4K UST has a slight edge for gaming. |
Audio | 30W Dolby Atmos® | Full-range×2 + Tweeter×2 (30W) By Bowers & Wilkins | The Formovie laser TV has arguably the best built-in soundbar of any ultra short throw projector. |
Price | $2,997.9 | $2,999(screen free) | Both of these 4K UST projectors are a great value and about the same price. |